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I don't believe in free music. Music is a sacrament. To placate physical retailers affected by the digital exclusivity period, Universal offered them a deluxe version of Songs of Innocence that contains four additional songs, along with several acoustic versions of the record's songs. However, the ruling was reversed after UMG released a limited-edition vinyl pressing of the album to retailers on the cutoff date. This was in line with a long-standing tradition of U2 giving the station's DJ Dave Fanning the exclusive to play their new albums before any other broadcaster.

According to Apple, 33 million people accessed the album in its first week of release, either through iTunes downloads or streaming. It's easy to do that when you're a multi-millionaire-billionaire and money isn't really something that you worry about, but when you're a working rock 'n' roll band and you count on every dollar, it's disappointing to see someone do that.

Giving away music like this is as damaging to the value of music as piracy. Many iTunes customers were unhappy that the album was added to their music libraries without their consent. People were like, 'I'm dairy-free. Despite the poor press surrounding the release, an independent study of select iOS users by Kantar Group found that in January , 23 percent of music listeners played at least one song by U2, more than any other artist for that month.

The study also found that of those who listened to U2's music, 95 percent of them accessed at least one track from Songs of Innocence. In a note on the group's website announcing Songs of Innocence , Bono revealed plans for a follow-up album, Songs of Experience , saying that it "should be ready soon enough". The lyrics reflect a "brush with mortality" that he had, [] [] as well as the shift of global politics in a conservative direction.

U2's manager Guy Oseary also indicated that the group had future collaborations with Apple planned dealing with "how music is heard and innovation". He said the band wanted to support albums as an "art form of artwork and lyrics and video content" that would engage listeners more so than digital audio. Bono described it as "an audiovisual interactive format for music that can't be pirated and will bring back album artwork in the most powerful way, where you can play with the lyrics and get behind the songs".

This is focused on creative advances, versus shifts in technology. On 8 December , a visual companion to the album, Films of Innocence , was unveiled. Inspired by political murals of Northern Ireland , U2 enlisted 11 urban artists to create their own art films, each interpreting a different song from the album. The collection of films was made available for purchase on iTunes and Amazon. Chris Milk and his company Vrse produced a degree virtual reality video featuring U2 that was released in October It was also released through Vrse's mobile app.

Production on the project began two months before Apple Music's launch and saw filming take place in 11 countries. Songs of Innocence received generally mixed reviews from critics. Rob Mitchum of Pitchfork criticised Songs of Innocence for "aim[ing] for a one-size-fits-all, vaguely inspirational tone, with a lean approach to details despite the press kit assertion that it's all 'very, very personal'".

They want to be everything to everyone and, in attempting to do so, they've wound up with a record that appeals to a narrow audience". He felt that the album "reconnects U2 with the strident, searching, wide awake band of their nascency, reminding not only us, but themselves, of their against-the-odds beginnings". Songs of Innocence appeared on critics' end-of-year rankings of the best albums of Rolling Stone ranked it as the best album of , calling it "the emotionally raw rock album of the year, at any price", while suggesting that "In its range of sounds, there may be no more complete U2 album.

By fiat, buddy. That's that. Mojo placed the record 33rd on its list of the "50 Best Albums of ". The album's no-cost availability on iTunes delayed its eligibility for placement on music charts until its 13 October commercial release, which was widely expected to reduce its sales.

In the UK, Songs of Innocence sold 15, copies in its first week and debuted at number six on the UK Albums Chart , U2's lowest debut in the country in 33 years; [] [] it spent only nine weeks on the chart. It was U2's first time playing arenas since — on their Vertigo Tour. In , David Sackllah of Consequence of Sound said, "U2 and Apple deserve credit for thinking ambitiously, but they overestimated the band's relevance with fans, and many felt like the automatic download constituted an invasion of privacy.

In a reassessment of Songs of Innocence , Uproxx critic Steven Hyden said that he had overreacted in his original review and that after revisiting the album, he believed it was the band's best work since Zooropa in Reflecting on the iTunes release, he still thought it was a misguided idea, blaming it on U2's "fail[ure] to grasp a fundamental truth of modern consumer culture: People now care way more about their phones than any individual album".

Hyden called it "the biggest music-related PR disaster of the decade", but argued that the backlash against U2 was ultimately unwarranted given how media consumption habits changed in the following years: "technology, along with listener habits, also moved on. Just five years later, the idea of curating a music collection on your phone is kind of quaint for the average listener.

In the streaming era, every album appears on your phone, week after week. All lyrics are written by Bono and The Edge ; all music is composed by U2. Adapted from the liner notes. From Wikipedia, the free encyclopedia. Original iTunes Store release. The lyrics for " The Miracle of Joey Ramone " were inspired by Bono's experience of seeing the Ramones perform live and feeling less self-conscious about his singing after hearing their lead singer Joey Ramone.

Title Producer s Length 1. Danger Mouse Tedder Declan Gaffney [a]. Tedder Flood. Epworth Tedder Danger Mouse [a]. Gaffney Epworth [a]. Danger Mouse Gaffney [a]. Vinyl release bonus track [] No. Title Length Deluxe edition bonus tracks [] [] No.

Title Length 1. Japanese deluxe edition additional bonus tracks [] No. Title Length 6. Brian "Danger Mouse" Burton — keyboards tracks 1—2, 7—11 , programming 7 , additional percussion 10 , choral arrangement 6 Ryan Tedder — keyboards 1—2, 4—5 , programming 1 , acoustic guitar 1 Paul Epworth — keyboards 1, 3, 8 , programming 1 , additional percussion 1 , claps 6 , additional slide guitar 8 Flood — keyboards 4 Declan Gaffney — acoustic guitar 1, 6 , keyboards 2—8, 10—11 , programming 3, 7, 9 , backing vocals 3, 10 , claps 6 , additional percussion 7 , vocal effects 7 Lykke Li — vocals 11 "Classy" Joe Visciano — claps 6 , backing vocals 10 Leo Pearson — keyboards 9 Caroline Dale — cello 11 , string arrangement 11 Natalia Bonner — violin 11 Greg Clark — choir 1, 6 Carlos Ricketts — choir 1, 6 Tabitha Fair — choir 1, 6 Kim Hill — choir 1, 6 Quiona McCollum — choir 1, 6 Nicki Richards — choir 1, 6 Everett Bradley — choir 1, 6 Bobby Harden — choir 1, 6 Ada Dyer — choir 1, 6.

Brian "Danger Mouse" Burton — production tracks 1—3, 7—11 , additional production 5 Paul Epworth — production 1, 3, 5, 8 , additional production 6 Flood — production 4 Declan Gaffney — production 3, 6—7 , additional production 2, 11 , engineering , mixing Ryan Tedder — production 1—2, 4—5 Kennie Takahashi — additional engineering Matt Wiggins — additional engineering, mixing Ben Baptie — additional engineering, mixing "Classy" Joe Visciano — engineering assistance, mixing assistance Adam Durbridge — engineering assistance, mixing assistance Joseph Hartwell Jones — engineering assistance Sean Oakley — engineering assistance Tchad Blake — mixing Tom Elmhirst — mixing Scott Sedillo — mastering Todd Malfalcone — engineering assistance 1 , mixing assistance track 11 Cecil Bartlett — engineering assistance 4 Drew Smith — engineering assistance 4.

Interscope Island. All Access. Archived from the original on 24 April Live Nation Entertainment. Archived from the original on 14 December Retrieved 10 December Archived from the original on 20 August Retrieved 5 May The Guardian.

Archived from the original on 2 October Retrieved 27 October Irish Independent. Archived from the original on 14 July Archived from the original on 22 December Retrieved 21 December Rolling Stone. Archived from the original on 12 May Retrieved 2 July Archived from the original on 4 October Archived from the original on 28 August Toronto Sun.

Retrieved 23 October Archived from the original on 24 October Retrieved 24 October USA Today. The Hollywood Reporter. Archived from the original on 21 December Retrieved 19 December Archived from the original on 4 August Retrieved 27 December Archived from the original on 18 April Retrieved 29 July Archived from the original on 16 July Archived from the original on 12 August Retrieved 4 June Archived from the original on 25 November Retrieved 10 May Archived from the original on 2 July The Age.

Archived from the original on 23 October Retrieved 22 October Irish Times. Archived from the original on 28 October Archived from the original on 19 July Archived from the original on 4 February Retrieved 1 February Retrieved 18 March Archived from the original on 21 August Retrieved 21 July Hot Press. Archived from the original on 13 June Retrieved 11 April Consequence of Sound.

Archived from the original on 18 October Retrieved 17 October Archived from the original on 21 February Retrieved 18 February The Wall Street Journal. Archived from the original on 17 October Retrieved 18 October Archived from the original on 21 June Archived from the original on 28 February Retrieved 30 January Chicago Sun-Times. Archived from the original on 8 August Retrieved 30 July The New York Times.

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Archived from the original on 14 October Archived from the original on 15 July Retrieved 13 July Archived from the original on 31 December Retrieved 11 January Retrieved 20 October Archived from the original on 2 June Retrieved 2 June MAD Agency London.

Archived from the original on 1 January Retrieved 26 September Archived from the original on 28 September Archived from the original on 27 June Retrieved 1 July Archived from the original on 12 September Retrieved 12 September The Verge. Archived from the original on 19 May Retrieved 9 September Archived from the original on 19 April Archived from the original on 12 February Retrieved 22 December Archived from the original on 11 October Retrieved 9 October The Independent.

Archived from the original on 6 October Retrieved 11 September Archived from the original on 15 September Archived from the original on 23 February Retrieved 2 November Irish Examiner. The Seattle Times.

Associated Press. Archived from the original on 5 June Archived from the original on 1 November Archived from the original on 3 November Archived from the original on 17 September Retrieved 16 September The Telegraph. New York. CBS MoneyWatch. Ars Technica. The Washington Post. Archived from the original on 4 June Archived from the original on 16 September World Cafe. Archived from the original on 22 May Retrieved 23 June Archived from the original on 1 December Retrieved 2 December Carly Meyers Radio broadcast.

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Just five years later, the idea of curating a music collection on your phone is kind of quaint for the average listener. In the streaming era, every album appears on your phone, week after week. All lyrics are written by Bono and The Edge ; all music is composed by U2. Adapted from the liner notes. From Wikipedia, the free encyclopedia. Original iTunes Store release. The lyrics for " The Miracle of Joey Ramone " were inspired by Bono's experience of seeing the Ramones perform live and feeling less self-conscious about his singing after hearing their lead singer Joey Ramone.

Title Producer s Length 1. Danger Mouse Tedder Declan Gaffney [a]. Tedder Flood. Epworth Tedder Danger Mouse [a]. Gaffney Epworth [a]. Danger Mouse Gaffney [a]. Vinyl release bonus track [] No. Title Length Deluxe edition bonus tracks [] [] No. Title Length 1. Japanese deluxe edition additional bonus tracks [] No. Title Length 6. Brian "Danger Mouse" Burton — keyboards tracks 1—2, 7—11 , programming 7 , additional percussion 10 , choral arrangement 6 Ryan Tedder — keyboards 1—2, 4—5 , programming 1 , acoustic guitar 1 Paul Epworth — keyboards 1, 3, 8 , programming 1 , additional percussion 1 , claps 6 , additional slide guitar 8 Flood — keyboards 4 Declan Gaffney — acoustic guitar 1, 6 , keyboards 2—8, 10—11 , programming 3, 7, 9 , backing vocals 3, 10 , claps 6 , additional percussion 7 , vocal effects 7 Lykke Li — vocals 11 "Classy" Joe Visciano — claps 6 , backing vocals 10 Leo Pearson — keyboards 9 Caroline Dale — cello 11 , string arrangement 11 Natalia Bonner — violin 11 Greg Clark — choir 1, 6 Carlos Ricketts — choir 1, 6 Tabitha Fair — choir 1, 6 Kim Hill — choir 1, 6 Quiona McCollum — choir 1, 6 Nicki Richards — choir 1, 6 Everett Bradley — choir 1, 6 Bobby Harden — choir 1, 6 Ada Dyer — choir 1, 6.

Brian "Danger Mouse" Burton — production tracks 1—3, 7—11 , additional production 5 Paul Epworth — production 1, 3, 5, 8 , additional production 6 Flood — production 4 Declan Gaffney — production 3, 6—7 , additional production 2, 11 , engineering , mixing Ryan Tedder — production 1—2, 4—5 Kennie Takahashi — additional engineering Matt Wiggins — additional engineering, mixing Ben Baptie — additional engineering, mixing "Classy" Joe Visciano — engineering assistance, mixing assistance Adam Durbridge — engineering assistance, mixing assistance Joseph Hartwell Jones — engineering assistance Sean Oakley — engineering assistance Tchad Blake — mixing Tom Elmhirst — mixing Scott Sedillo — mastering Todd Malfalcone — engineering assistance 1 , mixing assistance track 11 Cecil Bartlett — engineering assistance 4 Drew Smith — engineering assistance 4.

Interscope Island. All Access. Archived from the original on 24 April Live Nation Entertainment. Archived from the original on 14 December Retrieved 10 December Archived from the original on 20 August Retrieved 5 May The Guardian. Archived from the original on 2 October Retrieved 27 October Irish Independent.

Archived from the original on 14 July Archived from the original on 22 December Retrieved 21 December Rolling Stone. Archived from the original on 12 May Retrieved 2 July Archived from the original on 4 October Archived from the original on 28 August Toronto Sun. Retrieved 23 October Archived from the original on 24 October Retrieved 24 October USA Today.

The Hollywood Reporter. Archived from the original on 21 December Retrieved 19 December Archived from the original on 4 August Retrieved 27 December Archived from the original on 18 April Retrieved 29 July Archived from the original on 16 July Archived from the original on 12 August Retrieved 4 June Archived from the original on 25 November Retrieved 10 May Archived from the original on 2 July The Age. Archived from the original on 23 October Retrieved 22 October Irish Times.

Archived from the original on 28 October Archived from the original on 19 July Archived from the original on 4 February Retrieved 1 February Retrieved 18 March Archived from the original on 21 August Retrieved 21 July Hot Press. Archived from the original on 13 June Retrieved 11 April Consequence of Sound. Archived from the original on 18 October Retrieved 17 October Archived from the original on 21 February Retrieved 18 February The Wall Street Journal.

Archived from the original on 17 October Retrieved 18 October Archived from the original on 21 June Archived from the original on 28 February Retrieved 30 January Chicago Sun-Times. Archived from the original on 8 August Retrieved 30 July The New York Times.

Archived from the original on 7 September Retrieved 15 July BBC News. Archived from the original on 10 September Retrieved 10 September The Boston Globe. Archived from the original on 22 October Retrieved 21 October The Huffington Post.

Archived from the original on 29 September Archived from the original on 11 September The Irish Times. Archived from the original on 24 February Retrieved 25 March Wall Street Journal. Archived from the original on 14 October Archived from the original on 15 July Retrieved 13 July Archived from the original on 31 December Retrieved 11 January Retrieved 20 October Archived from the original on 2 June Retrieved 2 June MAD Agency London.

Archived from the original on 1 January Retrieved 26 September Archived from the original on 28 September Archived from the original on 27 June Retrieved 1 July Archived from the original on 12 September Retrieved 12 September The Verge. Archived from the original on 19 May Retrieved 9 September Archived from the original on 19 April Archived from the original on 12 February Retrieved 22 December Archived from the original on 11 October Retrieved 9 October The Independent.

Archived from the original on 6 October Retrieved 11 September Archived from the original on 15 September Archived from the original on 23 February Retrieved 2 November Irish Examiner. The Seattle Times. Associated Press. Archived from the original on 5 June Archived from the original on 1 November Archived from the original on 3 November Archived from the original on 17 September Retrieved 16 September The Telegraph.

New York. CBS MoneyWatch. Ars Technica. The Washington Post. Archived from the original on 4 June Archived from the original on 16 September World Cafe. Archived from the original on 22 May Retrieved 23 June Archived from the original on 1 December Retrieved 2 December Carly Meyers Radio broadcast. Retrieved 6 September Retrieved 15 September Archived from the original on 2 April Retrieved 31 March Not So Fast Archived from the original on 7 April Archived from the original on 16 February Retrieved 9 February Archived from the original on 10 February Archived from the original on 9 February Archived from the original on 17 January Archived from the original on 5 August Archived from the original on 1 February Archived from the original on 6 January Retrieved 6 February Archived from the original on 18 March Retrieved 29 January Los Angeles Times.

Archived from the original on 21 January Archived from the original on 23 June Archived from the original on 23 December Retrieved 24 December Archived from the original on 2 May Retrieved 14 February Archived from the original on 1 March Retrieved 3 August Archived from the original on 14 September Retrieved 22 September Chicago Tribune.

Archived from the original on 3 March The Daily Telegraph. Slant Magazine. Archived from the original on 13 September Yes and No". Retrieved 30 September Archived from the original on 6 December Retrieved 5 December Archived from the original on 5 December Retrieved 4 December Archived from the original on 10 November Retrieved 1 December The cover is not a good choice.

Rich Minimal Serif. Justify Text. Note: preferences and languages are saved separately in https mode. Songs of Innocence U2 album. Suggest as cover photo Would you like to suggest this photo as the cover photo for this article? Yes, this would make a good choice No, never mind. Thank you for helping! Thanks for reporting this video! This article was just edited, click to reload. This article has been deleted on Wikipedia Why? Please click Add in the dialog above. Please click Allow in the top-left corner, then click Install Now in the dialog.

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